LOW
100
80
125
63
160
50
200
40
250
CHANNEL
MUTE
31.5
315
Hz
A
FREQ
0
10 ms
DELAY
-64
0
INPUT
LIMIT
LINK
OL
0
10
0
10
LEVEL
LEVEL
QUICK START
The AC 24 is fully balanced with XLR connectors wired pin 2
"hot" per AES standards. Set the 3-WAY/4-WAY switch on the
rear appropriately. When in 3-WAY mode, the HI-MID controls
are inactive. The MID / HI-MID Frequency control becomes
the MID / HIGH Frequency control.
If you need a summed Mono Low Ouput, push the MONO
LOW switch on the front panel.
The FREQUENCY controls and other alignment procedures
are best set with a realtime analyzer such as the Rane RA 30. It's
also good to have range specifications for the drivers used in the
system. See Select Crossover Frequencies on page Manual-4.
The DELAY controls add from 0 to 10 ms of signal delay
to each Output to assist in signal-aligning drivers. See Adjust
Signal Delay on page Manual-5.
CD HORN EQ is provided if constant-directivity horns are
used. If CD Horn EQ is not required, make sure the HORN EQ
filters are off (button out) and frequency settings are at 8 kHz.
See Set CD Horn EQs on page Manual-8.
LEVEL controls are best set using the steps provided in Set
Output Levels on page Manual-8.
The MID, HI-MID and HIGH Output LIMIT Threshold
controls are linked to preserve spectral balance. Any Output that
WEAR PARTS: This product contains no wear parts.
OPERATORS MANUAL
MID
HI-MID
HIGH
500
4.0
400
630
3.15
5.0
4-WAY
315
800
2.5
6.3
250
1.0k
2.0
8.0
200
1.25k
1.6
10.0
MUTE
MUTE
MUTE
160
1.6k
1.25
12.5
Hz
kHz
FREQ
FREQ
4-WAY
0
10 ms
0
10 ms
0
10 ms
DELAY
DELAY
DELAY
-64
0
-64
0
-64
0
LIMIT
LIMIT
LIMIT
0
10
0
10
0
10
LEVEL
LEVEL
LEVEL
HORN EQ
LOW
4
4
CHANNEL
MUTE
2
8
2
8
kHz
kHz
B
HI-MID
FREQ
HIGH
4-WAY
0
10 ms
DELAY
-64
0
INPUT
LIMIT
OL
M
S
A
L
S
A
T
V
E
E
R
0
10
0
10
MONO LOW
STEREO LINK
LEVEL
LEVEL
crosses its threshold (indicated by the indicator) will cause all
Outputs to Limit. The LOW Output is independent, and may be
linked to the others via the LIMIT LINK switch. See Set Limit-
ers on page Manual-9.
When using STEREO LINK, we recommend turning down
the Output Level controls of the SLAVE (Channel B) to mini-
mum. This prevents unwelcome surprises if the Master / Slave
function is turned off.
The SUM Outputs are useful for instrumentation devices
as indicated in the setup procedure. These may also be used for
split-band EQ and/or split-band Limiter applications. When us-
ing these, it is important to note that CD HORN EQ and DE-
LAYS affect the Summed Output. If you want a flat response, do
not use Delay or CD Horn EQ when using the Sum Outputs.
The INVERT switches located on the rear panel allow you to
correct driver polarity differences without rewiring. Linkwitz-Ri-
ley filter outputs are always in phase with correct polarity.
In agreement with IEC and AES/ANSI standards, wiring
convention is pin 2 positive, pin 3 negative (return), pin 1 shield
chassis ground. See the "Sound System Interconnection" Rane-
Note included with this manual for more information on cabling
and grounding requirements.
ACTIVE CROSSOVER
MID
HI-MID
100
500
4.0
80
125
400
630
3.15
5.0
4-WAY
63
160
315
800
2.5
6.3
50
200
250
1.0k
2.0
40
250
200
1.25k
1.6
10.0
MUTE
MUTE
31.5
315
160
1.6k
1.25
12.5
Hz
Hz
kHz
FREQ
FREQ
FREQ
4-WAY
0
10 ms
0
10 ms
DELAY
DELAY
-64
0
-64
0
LINK
LIMIT
LIMIT
0
10
0
10
LEVEL
LEVEL
AC 24
HIGH
HORN EQ
4
4
8.0
MUTE
2
8
2
8
kHz
kHz
HI-MID
FREQ
HIGH
4-WAY
0
10 ms
DELAY
AC 24
4-WAY
CROSSOVER
-64
0
LIMIT
0
10
LEVEL
POWER
Manual-1